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CMC: Conceptual Music Competition This competition is based on the rules of the classic TOMC (Thematic Original Music Competition). The CMC (Conceptual Music Competition) is designed so that each participant enters a piece of music based on a set theme. The participants take the theme and interpret it as they will to come up with something that fits. Any style can work, as long as it portrays a sense of what the theme is. Feel free to be imaginative! Each successive theme will be chosen by the winner of the previous competition. For example, say the theme of the last competition, CMC 18, was "The Great Fall" and the winner, Johnny, submitted a piece that knocked the socks off of everyone, so he won. Johnny then gets to decide the theme for CMC 19. This competition is open to registered members of the forums of
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CMC 15:
Love at First Sight This story is just a guideline for those
who want a specific rubric, but it does not necessarily have to be followed.
It can be viewed as a source of inspiration or just as a point-by-point
song guideline." Results! There are 9 entries for this round... SSC - "Tonal Love" "Love at first sight, wonderful, but unexpected and unpredictable. Will this one escape too? Will I have to pay for the hospital bill again?" HoboKa - "Forbidden Love at First Sight" "In a cafe in the year 3015, a man born of noble blood has all but burnt out his joy for life. As he waits in the line to order a latte, the man couldn't help but notice a particular woman sitting alone on a table, only several feet away from him. She appears absolutely depressed, yet her beauty still shone through the saddened expression on her face. The girl looks into our noble hero's eyes and practically gapes at him; blushing, she steels her gaze away from him and tries to appear as if she had never checking him out. Somehow, the man manages to summon the courage to approach her and asks her name. To his dismay, he discovers that the woman is of the family that his harsh father is engaged with in a long and harrowing feud. But our hero cares not, for he realizes that he loves this women - nay he craves for her amour - as much as he craves oxygen to live. To him, she is life. Uncaring of the consequences that may follow from their union - he asks her out on a date and the woman hesitates not to say yes. Forbidden love at first site." Elan Hickler - "Exiles of Time" "Scientists predicted that in the future, toxic chemicals and war would destroy the world as we knew it. They were right. To ensure that humans could survive the future apocalypse, they froze many human subjects, set to unfreeze one thousand years later. Let your imagination take you through the sequences of events as you listen to the music. Scene #1: It is the year 3115. A man wakes up. He runs out of the laboratory to a dark city street. The people around him look like emotionless zombies. No one notices his frantic disposition. Scene #2: He finds a cafe, grabs a cup of coffee from the dispenser and sits down at a table. At the corner of his eye he sees someone who looks distressed. Could it be? His fiancée? Scene #3: They embrace. They were both unfrozen the same day. Scene #4: A strange mob of men enter the cafe with rifles and full body armor. They are after them, the only human subjects who survived the freezing. They are the ones to re-stimulate the human race. The man and his fiancée run out a back door." larsdood - "Fragging
on the Dance Floor" "Although the song is kind of vulgar, the song actually isn't about fucking on the dancefloor. The text has a few hints as to what the song is actually about, but let's just say the main character is in a psychedellic mindset as he enters the club he visits every night, only to see what he believes to be a Godess on the dancefloor. He walks over to dance with her, and as she touches him he experiences her taking him to his wildest imagination, being his guide in his psychedellic experience. For him, it feels like they are becoming one and it is the equivalent of fucking, but it was just a touch on the dancefloor. The spiritual and religious pleasure he experiences can thus be compared to having an orgasm all over your body, which feels like eternity but lasts less than a second... And thus he loves her, in the most honest way a man can love a woman. She opened his eyes." Jeremy Robson - "Scenes d'Amour" "I attempted to keep Blue.Nocturne's scenario in mind while writing this, but in order to heighten the drama element I felt there had to be more than just a coincidental meeting between two people. So... wondering how I could salvage the description, I thought 'what if this occurs at the end of the movie, right before the credits roll?' All of a sudden things become more dramatic and ambiguous. Love at first sight, but not really? Maybe you have this recurring amnesia and fall in love with the same person over and over again. Sounds kind of gimmicky, but I guess the climax would have to be when your memory suddenly returns, so the music can be both sad and uplifting. Ambiguity is definitely my favourite theme." Dev - "We Met One Rainy Afternoon" "It begins when your eyes first lock, and a small flutter begins in your head, and then as you realize this is love at first sight, a sweet melody begins to play, dancing about the same way your mind is now, considering all the possibilites. As you draw near to first speak, your heart begins to pound as the melody grows louder; begins to shout that you are falling for this new person, and as you say the first word that comes to your mind, all the tension is released, and the pounding of your heart fades away. And then a meteor hits the Earth. Nah, just kidding." Abadoss - "Anticipation" "At first sight, Blue.Nocturne - "Destined Meeting" "This is a story about the loneliest man in the world. (0:00-0:25) Numegil - "Now or Forever" "Hmm... I really don't have much to say about this one. Interpret as you will."
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Voting Rules!:
Voters will be allowed to pick a first place (3 points) and any number of honorary
mentions (1 point). Only one set of votes from any one voter will be accepted
and a person cannot vote for any one piece more than once. Corrections to votes,
from the original voter only, will be accepted, but corrections will void the
previous votes. Basically, a voter can vote and correct the vote, but only the
final form of that vote will be counted. Send all votes to Abadoss by e-mail
or PM. Please include any and all constructive critiques (not to be confused
with bashing) about them with your votes as well, so that there's always a sense
of growth in the artform. If you wish to remain anonymous, just state so in
your message. Thanks.
The voting period will last from the moment the entries are posted in the thread to the Saturday of that week. The voting period for this round ends January 5, 2008, so be sure to spend some time really listening to the pieces.
Any participant in the competition can vote, but not for their own pieces. However, in an effort to encourage voting among participants, any participant who votes will have 2 points added to their voting score.
Official Rules!:
1. Each piece must be originally
composed for this competition. Arrangements and remixes will not
be accepted. (Pieces composed by the participant prior to the competition
will not be accepted.)
2. Each piece must be
2:00 or longer and match the competition theme.
3. Only
one entry per person. Collaborations will be allowed, but each
collaborator may not submit any other pieces. (This also means that a person
cannot collaborate on two or more different pieces at the same time.)
4. A link to the entry piece
must be e-mailed or PMed to Abadoss prior
to the deadline set for each competition. DO NOT POST THE LINK IN THE THREAD!
5. Important:
Each file must be labeled accordingly: Composer_Name_-_Composition_Title_CMC#.mp3
(For example, if Lisa Caulkins submits a piece called "Hung Up by Your
Bootstraps" to CMC 17, then her filename would be: Lisa_Caulkins_-_Hung_Up_by_Your_Bootstraps_CMC17.mp3)
6. MP3 file format is required.
Know that even OGG will need to be converted into MP3. (If someone is unable
to do so themselves, Abadoss would be willing and able to do it for them.)
7. Entries should be accompanied
by a description and/or story to help listeners understand what the piece is
about. (Not required, though.)
8. All entries must be submitted
by Saturday, December 29, 2007 at 11:59 PM - PST, GMT-8.
You can find the competition threads for each forum listed below:
OverClocked ReMix: http://www.ocremix.org/forums/showthread.php?t=13613
VGMix: http://www.vgmix.com/vg25/viewtopic.php?id=9016
Ormgas: http://oc.ormgas.com/forum_viewtopic.php?2.19639
VGMusic: http://www.vgmusic.com/phpBB/viewtopic.php?t=10024
Gaming World: http://www.gamingw.net/forums/index.php?topic=67211.0
Young Composers: http://www.youngcomposers.com/forum/conceptual-music-competition-15-love-first-sight-12405.html
Good luck and have fun!
Previous CMCs: http://www.abadoss.net/CMC.htm
Click here to view competition statistics
Goto: CMC 14 | CMC 16 | Current

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